I have made octagons with red centres surrounded by predominantly dark blue strings. With this choice I aimed to use up most of my blue and red Civil War reproduction fabrics, and with the red I succeeded and have added more modern reds, but the blue were all so dark I soon started introducing flashes of other colours.
At present they're not overlapping, but I have more red squares cut, and here I've positioned them where red squares will go in the final design.
I am pleased that the overlapping octagons have now emerged.
The octagon blocks have Y-seams at each corner, and inserting the second set of red centre blocks will involve more Y-seams. I wasn't happy about this at the beginning, and so tried making hourglass blocks in the corners, as shown here:
This is one of two hourglass blocks I retained, before I gave up on them. At each of the corners of this hourglass block five fabrics come together making very bulky seams which I couldn't get to lie flat.
Doing Y-seams, however, means joining only three, which will lie much more easily, especially if the last string in the side panel continues into the corner triangle, as here below.
Sorry about the fuzziness! |
There was only one thing for it: Y-seams. I dreaded the thought! Now I'm becoming an expert! Practice makes perfect, they say, and I've had a lot of practice! The secret lies in:
- starting sewing the seam at the opposite end to the Y-join,
- stopping two stitches before the point of the join and backtracking a couple of stitches. That unsewn space gives you some room to manoeuvre.
- starting each seam four stitch lengths further than the join, stitching back two stitches to fix the seam and then stitching the seam further until two stitch lengths before the point and backtracking two to fix the seam.
Happy sewing
Marly.