Showing posts with label machine quilting. Show all posts
Showing posts with label machine quilting. Show all posts

Wednesday, 2 November 2022

One November goal

 My monthly goal for November is to trim and bind my Pluses throw: "Staying Positive". I made this last month during a QAL with Brigitte Heitland of Zen Chic; it's one of her patterns.


I quilted it during a long-arm quilting lesson with Elly Prins a week or so ago. At her suggestion I used a meander motif, and I left the pluses unquilted. I'm considering doing some straight line hand quilting in them, but haven't made up my mind yet. What do you think?

I'm linking up to One Monthly Goal at Elm Street Quilts.

Happy sewing

Marly.


Friday, 1 October 2021

One monthly goal for October

In October I aim to finish my Bead Curtain Quilt that I was layering at the end of September. Although it had been my goal for September I just did not have enough handwork time to get it quilted.


October is set to be a less hectic month than September was, so here's hoping for more progress.

I'm linking to

Click on the button to see more aspirations for October.

Stay safe, stay healthy.

Happy sewing

Marly.

Sunday, 30 September 2018

OMG September Plus/minus is finished!

https://www.elmstreetquilts.com/2018/09/one-monthly-goal-september-finish-link.html


https://prettypiney.com/faux-flange-binding-tutorial/


My goal for September was to finish my plus and minus quilt, that should have been finished by the end of August as my response to the Dutch MQG theme challenge for July and August. However, at the end of August it looked like this with just the top right corner quilted:


I'm happy I finished it yesterday, and can post this at the eleventh hour.


 The pluses are improvised blocks joined with filler (background) fabric into four 12" squares and then joined; the minuses I made in the quilting, along with some ghost pluses. My idea was, and still is, plus is visible, grabs the attention while the negative is in the background, less visible, but present nevertheless. The ghost pluses represent a no-man's land, an area of doubt and indecision.

close up showing two ghost pluses and a minus

Now I'd like to ask for some advice. Does anyone know how to remove chalk lines? The photo below shows what's left of my quilting guide-lines in 'Sewline' pink chalk. I have rubbed them with fingers, the eraser on the end of the 'pencil' and a clothes' brush, and still they're there. I don't want to heat or wet them in case that fixes them completely. Any hints or experience with chalk would be most welcome.
 
pink chalk guide-lines still visible after A LOT of rubbing!
Quilting this 24"x24" quilt has been all the sewing I've done this month. The quilting lines are 0.25" apart, and that takes forever! This is the last time that I do straight line quilting with shapes I have to go round, as this was a stop-start exercise from start to finish. But the finish was not the real finish:



burying threads and trimming them took two hours!

Last month I won a $25 voucher for the Fat Quarter Shop and received this package 10 days after ordering.

Thank you, Patty, for pulling my name out of the hat last month and to the Fat Quarter Shop for giving a prize. I chose this bundle because winter is drawing in, and I'm planning on alleviating the pending greyness with some fabric sunshine.


Finally another early morning picture of the plus and minus quilt.

The sun was obliquely to my right and slightly in front and I just couldn't get the exposure right. Of course I was breaking the first rule of photography: "NEVER take a photo into the sun," but rules are made to be broken, aren't they?

 I'm linking up to 

https://www.elmstreetquilts.com/2018/09/one-monthly-goal-september-finish-link.html

https://prettypiney.com/faux-flange-binding-tutorial/

 (A bit late; I missed TGIFF last week)

 To see many more goals achieved click on the buttons above.

Enjoy Autumn (not to forget Spring in the Southern Hemisphere) while you can.

Happy sewing

Marly.

Monday, 4 August 2014

Around the World Blog Hop

I wish we could just hop across the Atlantic as cheaply and easily as this! I was tagged for this hop by Judy at Quilt Paradigm , whom I met during the Triangle Quilt Along, and she's in  the USA, I believe in Arizona, and I'm in The Netherlands, Europe. I've managed to tag two others, for me much closer to home, but more about them later. First I have to answer some questions.

1. What am I working on?


At present I'm working on a few projects. I've finished three bed quilts and one throw this year:

two patterns from books,

Good Night

Jigsaw 
and two from QALs

Triangle Quilt 
Celtic Solstice
(Click on the captions for a link to the relevant posts.)

They were all destined as presents and I needed to concentrate on getting those done, before working on skill-improvement projects. So now I'm making cushion covers to try my own layout ideas and to practise FMQ on something small; I've had my fill of trying to manage 2kg of quilt going through the throat of my Bernina 440QE. (Bernina call it Quilters' Edition, but in my opinion that's something of a misnomer, the space is far too small.)

First cushion cover: finished 

The next two cushions in the making.


I'm also trying different piecing techniques. So far I've made this sample following a "workshop" in Jean Wells' book "Intuitive Colour .." but it needs to have a border and quilting before I start on the following "workshop".

I already have Ricky Tims' "Convergence Quilts" lined up for a future challenge.

My next start, however, will probably be something for Christmas. I have a charm pack of  "Midwinter Red" bought in a sale in January, and hope to start using it at the beginning of October.

2. How does my work differ from others of its genre?


To start with, my patchwork and quilting doesn't fit into a genre yet because I only started two years ago this week! (I'm not counting my false start at patchwork when I was nine years old and vowed never again! or the quilt for my granddaughter's crib, that was started nine years ago and took 5 years to make!). I consider myself to be searching, finding my way, discovering new forms, and accepting new challenges. Just like I have rarely read the same novel more than once (exception: Pride and Prejudice: six times!) I doubt I will ever repeat a quilt. Life is too short.

8 August 2012 was a turning point in my sewing experience when I followed a workshop in my LQS, Quilters Palet, in The Hague, where I made this:

ragtime
(or at least started it. I was painfully slow at cutting and had never heard of chain piecing.)
and another workshop, where I made this:

purple stars
and that winter followed the beginner's patchwork course (nine lessons) and made this:

Green Sampler

Also two quilting courses one for machine and one for hand quilting that same winter, which enabled me to quilt the green sampler in both techniques.

hand appliquéd EPP and, hand quilted
machine pieced,
machine quilted in the ditch
and hand quilted in the centre unit.
So far these seem to fall into a traditional style. Is this a 19th century genre? Please don't label me!
Perhaps it's because I'm a teacher that I'm nervous of autodidactic. I had to be taught the basic skills. I don't want to invent the wheel, but I do aim at modifying it!

A quilt to cover the long thin window in our front door was next on the list. I thought it should be double sided:

from the outside
so people waiting outside had something to look at. Unfortunately, although the rows on both sides are the same height (the geese are 3" high) they don't match perfectly so from the inside we have an unusual stained-glass effect!

Double Vision!
Friendship Stars on the inside and Flying Geese on the outside shining through
This was my first attempt at making something on my own: no teacher, no pattern other than the traditional blocks.

Since last August I have been on a two day fabric-dying retreat, but haven't used any of the fabric yet. I have done workshops in thumb-quilting and FMQ and I have challenged myself severely by taking part in Bonnie Hunter's Celtic solstice mystery quilt along (photo above). Fools rush in where Angels fear to tread! I underestimated the speed at which she expected people to work. I just about managed to keep up, but almost missed Christmas in my single-minded patchworking! (Good job I didn't need to work for nearly two weeks). It may seem odd, but in the last six months I've made so many HSTs that I'm almost perfect! A hurdle overcome: now just join them all up perfectly! Compare the points in the Green Sampler with those in the Jigsaw, or Triangle Quilt and I think there's hope for me yet!

I'm also participating in the Rainbow Scrap Challenge hosted by Angela at SoScrappy. I was so hooked by the word "rainbow", that I overlooked the "scrappy", so jumped in with only a 2 litre box of scraps to my name. Ha ha; I've been buying "scraps" (alias fat quarters) all year! At one stage I thought of using my self-dyed fabric for this, but decided I wanted to save it for something over which I had more control.

RSC January to June line up

OK, maybe now I've moved forward into modern traditional? Traditional blocks, modern fabrics. But genre isn't important at the moment: for me it's all about challenging myself to try new things and to perfect my existing skills. Who knows what I'll be doing a year from now?

Back to the original question: how does my work differ from others in its genre? It doesn't, except it was made by me, and I'm not others!

3. Why do I write/create what I do?


I write about my quilting experience to have a record of what I'm doing, but I've only been blogging since December last year. I started so I could join the link ups around the Celtic Solstice project and ask questions to other quilters. I unashamedly pick the brains of other blogging quilters, and will give my opinion, for what it's worth, when asked. Never (I hope) when not asked; I'm a teacher, remember, and we are a group prone to holding opinions!

Quilting is for me the last in a long line of handicrafts: knitting, embroidery, crochet, dressmaking, spinning, weaving, lace making (yes, really) in that order. Even though they're all different they're all textiles, and I've always wanted to create an eclectic project, combining several of the skills.

I learnt many years ago that all artists and crafts(wo)men have to learn their skills before they can branch out on their own and, in the case of artists, develop a genre. Pablo Picasso and Piet Mondriaan spring to mind. Until now I've been developing skills and pushing myself further: finding challenges, and I expect that to continue till I drop. I have been collecting patterns online from everywhere, but have the most quilting satisfaction in creating my own layout, like the window hanging or the cushions.

I don't consider myself an artist, but aim on being a good craftswoman in whatever field.

4. How does my writing/creating process work?


Both my writing and my patchwork and quilting processes are planned, with pauses for deliberation between times. Professionally I write concisely, and think sometimes my blog comes across as rather terse. I like to plan and to finish a project before starting the next, but sometimes fate conspires otherwise: someone really needs a quilt, or a workshop comes up which I really want to follow, both of which have resulted in current projects being put on the back burner.
Toadstool mini quilt,
workshop project.
Planned, but not by me.
After nearly a year: not a priority.
Is it a WIP or  is it a UFO?

However, looking back over the past few months I see a development away from the planned and into the experimental influenced by what I see online, especially Victoria Finlay-Wolfe's "playing", and LeeAnna's use of colour.
I'm moving away too from civil war reproduction fabrics and traditional layouts, and towards modern fabrics, again influenced by all the fabulously creative people out there  in the wide world of blogland.

I would like to introduce you


to two quilting bloggers who will be continuing the hop next week.
Firstly to Ruth of  Charly's and Ben's Crafty Corner who is an active member of the Irish Modern Quilt Guild, but not only creative with needle and thread, but also with lenses and shutter speeds, and probably much more besides.
Secondly to Gina, The Occasional Quilter, who lives in Wales and whom I met through the RSC. She is a real planner: she decided in January exactly how she would tackle the rainbow quilt and so far has stuck to her plan. I expect she will reach her goal by 1 January 2015, but I'll let her tell you about that and much more, next week.

I'm linking up to

stitch by stitch

   WIP Wednesday at Freshly Pieced    Sew Fresh Quilts



So head over there now to see what else is happening among quilters and other needle and thread addicts.

Happy Sewing

Marly.

Saturday, 2 August 2014

The first of three cushions


This is my first finish for the

Finish Along 2014


I am making three cushions for the chairs in my living room. I'm practising machine quilting techniques and experimenting with layout on a small scale.

The first cushion is finished and in use.

All three cushions will be 16" square and of off-white Bella Solid (I don't know name and number, I'm afraid) with 2.5" strips of anonymous modern prints I received in a giveaway last autumn.


I did FMQ in the print panels: a freehand design of flowers and leaves worked with Aurifil 40 cotton in pale pink. This was not such a good choice as it hardly shows against the busy fabric pattern.
quilting detail
For the off-white section I did matchstick quilting at 1/4" intervals using the 1/4" mark on the walking foot.which didn't produce a consistently accurate result. Here I again used Aurifil 40 thread, in off-white (2309), pale dusky pink (2564), pale blue (2846) and pale yellow (2123). The contrast between the threads is very subtle, but maybe you can distinguish two lines of yellow followed by four lines of blue in the photo below. The contrast is a bit too subtle, as it hardly shows.

quilting detail
Altogether I'm pleased with the result, even the subtle colour changes in the white section; more contrast would have detracted from the impact of the central panel.

I'm linking up with:

at Quokka Quilts
Happy sewing

Marly.


Monday, 12 May 2014

Giant Block on my Design wall

Monday 12 May

On my design wall this morning was this enormous block. At least it's the largest I've ever considered making: each  of the 36 square units measures 6.5" unfinished.


36x36" 
In the meantime I've been sewing, so these squares are all sewn together, completing the centre of the top. All it needs now is the single border and I have my top for the Craftsy course Dot to Dot Quilting with Angela Walters. I should manage to get the border on and the sandwich pinned together this afternoon, ready to continue the course.
I'm looking forward to learning to do straight line FMQ; in the past I've always used the walking foot for straight lines and gentle curves. While that wouldn't be a problem on this scale it is when making a bedquilt, and sometimes having the entire quilt to the right of the needle. I shall be trying the designs on a small practice "quilt" to get the feel of them, and then using them on this pieced quilt to practise combining motifs.
I think that my biggest challenge will be keeping my lines straight, or at least having a minimum of wobble!


I'm linking up with 

stitch by stitchPatchwork Times

Update: Wednesday 14 May

The pieces are all together and borders added. 


I was pinning yesterday when I realised the backing wasn't wide enough so I removed the extension piece I'd added in the middle. Don't ask how I didn't notice until I was pinning! Suffice it to say the quilt top is a little wider than the table and I usually do the pinning on the living room floor. The backing pieces and the wadding are lying on the table waiting for new extension pieces.

Linking up to: 

Sew Fresh QuiltsWednesday link up




Happy sewing

Marly.
Sunshine in the sunshine!